The Paris Review Interviews: vol. 1

introduction by Philip Gourevitch // The Paris Review / Picador

• A PRINT's Regional Design Annual Selection

• The New York Book Show 2008 Award winner // Paperback Series

A selection of interviews with writers from The Paris Review that answers the question, "How do great writers do it?" One of my favorite is Joan Didion's account of how she composes a book—"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm." That's exactly how I work.

A Taxonomy of Barnacles

by Galt Niederhoffer // St. Martin's Press / Picador

• An AIGA's 50 Books // 50 Covers Best Cover Selection
• The New York Book Show 2008 Award winner

Illustration of finch bird by Pete Garceau
Illustration of sisters by Pierre Mornet // Marlena Agency

A Taxonomy of Barnacles is a modern Victorian comedy of manners—a wealthy, eccentric patriarch declares that his six daughters must compete for his fortune—and a study in social Darwinism—whoever can best carry on the Barnacle name gets the Barnacle fortune. Much of the book is devoted to the amorous to­ings and fro­ings of the two eldest Barnacle sisters and the cute Finch twins next door. It’s Balthus girls meets Charles Darwin meets The Royal Tenenbaums.

A New York Times interview with the author and her family that was the inspiration for the book.

The Man Who Wanted Everything: Michael Ovitz and the Dark Dreams of Hollywood

by Nikki Finke

• A Type Directors Club Award Winner

Art Director: Anne Twomey // Warner Books Twelve

Art Director Anne Twomey hired me to design this cover for her new imprint TWELVE, for Time Warner, which has since then been renamed Grand Central Publishers. Her only direction to me for this biography of super talent agent to the stars Michael Ovitz was, "Make this say Hollywood and make it look like a Type Directors' Club award winner."
So I came up with the idea that his bigger than life persona is like a movie up on the screen and we are just spectators, but sitting in the worst seat in the theater. Front row and far left. I chose to depict it as end credits since this book was a retrospective and printed on silverish pearlized stock. I had more extreme angles and the back of a person's head blocking some of the type, but legibilty suffered.
Unfortunately the book was cancelled and so far, no plans to be published anytime soon. But that didn't stop Anne from entering the sales proof to the Type Directors' Club competition.
I received an email; "Your entry in TDC53 has been selected by the judges to receive the "Certificate of Typographic Excellence". To be included in the Annual of the Type Directors Club, Typography 28, and to be shown at the 53rd Awards Exhibition in New York."
Nice. It’s been a long while since I designed something type specific that I thought was good enough for TDC.
It's too bad the book won’t have a shelf life out in the public, but at least it's here.

The Interpretation of Murder

by Jed Rubenfeld // Picador

Cover photograph by Edward Steichen

The author has a great companion website created for the book.

The Messiah of Morris Avenue

by Tony Hendra // Picador

Cover imaging by Phil Pascuzzo

• A readerville.com Most Coveted Cover Selection

This cover was just selected by readerville.com as their Most Coveted Covers. Nice. Thank to Keith H. for bringing this to my attention and thank you Karen Templer for choosing Picador.

Inspired by the spray painted wall murals seen around the East Village / Loisaida of NYC by Antonio "Chico" Garcia.
And the METABIOTICS painting/photographs of Alexander Órion.

The Heartless Stone

by Tom Zoellner // Picador

• The New York Book Show 2008 Award winner

Flesh and Blood

by Michael Cunningham // Picador

• The New York Book Show 2008 Award winner

Cover photograph by Robin M. White

iWoz

by Steve Wozniak with Gina Smith

Rejected by Steve Wozniak himself.
Art Director: Ingsu Liu // W. W. Norton & Co.

The cover display font is typeset in CHICAGO, the first font to be developed for the Macintosh. Designed by Susan Kare for Apple Computer.


The original Apple logo featuring Isaac Newton under the fabled apple tree:

Fever: The Life and Music of Miss Peggy Lee

by Peter Richmond // Picador

Cover design by LeeAnn Falciani + Henry Sene Yee
Cover photograph by Bob Willoughby

Miss Peggy Lee never achieved the same recognition as her pals Frank Sinatra and Bing Crosby. This compelling portrait of the artist tries to rectify this. Loud and clear. And in hot pink. Check out this live performance of "Fever" from 1958. It's shot off of a TV monitor so the sound and video is bad. But that just gives it a cool quality that enhances her hot performance.

Brookland

by Emily Barton // Picador

Cover photograph by Gayle Harper
Cover illustration by Steven Noble

Alternate:


I love the much larger original hand colored and tinted lithograph from 1858. It's such an unusual bird's eye view that simulates a wide angle lens of Brooklyn / City of New York / Williamsburg. Before any bridges spanned the East River.

Bird's eye view of the city of New York, Brooklyn, and Williamsburg. 1858. Hand colored and tinted lithograph, 59.6 x 90.1 cm. I.N. Phelps Stokes Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs. © The New York Public Library / Art Resource


New-York and environs, from Williamsburgh, 1848. Tinted lithograph with hand coloring ; 51.6 x 82.4 cm. Printer: Sarony & Major. Publisher: Williams & Stevens. © The New York Public Library / Art Resource


New York, from Brooklyn Heights. 1837. Aquatints--Hand-colored. 49.7 x 80.7 cm. © The New York Public Library / Art Resource

Dishonest Dollars

by Terry L. Leap

Art director: Scott Levine // Cornell University Press

Funny Accent

by Barbara Shulgasser-Parker // Picador

Jacket photograph "Intellectual Couple" 1962 by Inge Morath/Magnum // Mask Drawings by Saul Steinberg

Picador Spring / Summer '07 Catalog

Cover photography by Henry Sene Yee

The Adventures of a Bed Salesman

by Michael Kumpfmüller // Picador

Paul Auster: Collected Prose

by Paul Auster // Picador

The young Paul Auster, Columbia University, 1968.

Empire Rising

by Thomas Kelly // Picador

• The New York Book Show 1st Place Award winner

Cover photograph by Lewis B. Hine //
The New York Public Library Picture Collection


Back cover design by Rob Grom

Area Code 212: New York Days, New York Nights

by Tama Janowitz // St. Martin's Press

Jacket photograph by Joshua Sheldon.
Starring Sarah K. Delson



We did the photoshoot on Bleecker Street in Greenwich Village. As we were snapping away, a kid stopped in front of Josh, and told him, "You want to shoot something? Shoot this." He then turned around, pulled down his pants and mooned us. Salutations.

The Jasmine Trade

by Denise Hamilton

Art Director: John Fulbrook III // Scribner Books // Simon & Schuster

Falling Boy

by Alison McGhee // Picador

Cover illustration by Philip Earl Pascuzzo
Cover design by Philip Earl Pascuzzo + Henry Sene Yee

These were the sketches leading up to the final design:

Are We Rome?

by Cullen Murphy

Art Director: Michaela Sullivan // Houghton Mifflin Company


George Washington, marble sculpture, c. 1840 by Horatio Greenough (1805-1852); in the National Museum of American Art, Smithsonian Institution, Washington, D.C. / Art Resource, NY

John O'Hara's Hollywood(s)

by John O'Hara

Approved, then killed by the author.


Old comp resurrected and published.

Art Director: Jonathan Sainsbury // Avalon Publishers