by René Backmann / A Picador Paperback Original
Cover photograph by © REINHARD KRAUSE / Reuters / Corbis
• A 2011 PRINT Magazine Regional Design Annual Winner
• An AIGA's 50 Books // 50 Covers Best Cover 2010 Winner
• Praise from Daniel Wagstaff @ The Casual Optimist Blog
The West Bank Barrier is expected to be completed in 2010. Declared illegal by the United Nations International Court of Justice, this network of concrete walls, trenches, and barbed-wire fences could permanently redraw one of the most disputed property lines in the Middle East—the Green Line that separates Israel and the West Bank. To Israel the “security fence” is intended to keep Palestinian terrorists from entering its territory. But to Palestinians the "apartheid wall" that sliced through orchards and houses, and cuts off family members from one another, is a land grab.
In this comprehensive book, Backmann not only addresses the barrier's impact on ordinary citizens, but how it will shape the future of the Middle East. Though it promises security to an Israeli population weary of terrorism, it also is responsible for the widespread destruction of Palestinian homes and farmland; with its Byzantine checkpoint regulations, it has also severely crippled the Palestinian economy; and, most urgent, the barrier often deviates from the Green Line, appropriating thousands of acres of land, effectively redrawing the boundary between the West Bank and Israel.
Backmann interviews Israeli policy makers, politicians, and military personnel, as well as Palestinians living throughout the West Bank, telling the stories not only of the barrier’s architects, but also of those who must reckon with it on a day-to-day basis on the ground.
With bold, brilliant, and often impassioned reportage, A Wall in Palestine renders the West Bank Barrier—its purpose, its efficacy, its consequences—as no book before.
The mechanical had already been typeset and ready to go to the printers when the editor told me that he received a ton of great quotes. Could I fit them all on the back-ad? Sometimes trying to redesign, cram and reflow so much copy into a single centered text column can be a huge last minute annoyance. It wasn't fitting so I thought I could break down the copy into easier to read chunks by splitting them into two columns. But I saw that four flush-left thinner columns would echo the vertical Wall segments on the front cover. I staggered the column heights and added a 1/2 point thick black rule separating the columns to further echo the front cover. I love text copy!
Original type treatment before I was struck by inspiration:
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9 comments:
beautiful job. Great execution. Really hits home.
Very strong – and clever handling of a TON of endorsements too, never easy!
The cover of René Backmann's "A Wall IN PAlESTINE" is outstanding. Magnifique.
One clearly sees the helplessness of the young palestinian boy.
As for the résumé, its author totally contradicts the message the writer wanted us to read by choosing this picture and the design completing it.
I hope, that nobody will tell this young palestinian that the bold, brilliant and often impassioned reportage, A in Palestine renders the West Bank BARRIER- its purpose, its efficacy and its
consequencies. The boy will cry.
Striking cover and one of the best back ads I've seen in a long time!
It's so nice to be able to see the whole package, the back ad is handsome, and the spine is really incredibly elegant. The photo choice really feels like it hits then nail on the head, bleak and desolate on one side and homes and life on the other. Great job!
Love the back ad and the spine - you have captured the vertical and opaque aspects of a divide that is both physical and cultural.
this one looks awesome.
love it, H!
Congratulations on this and Hotel Iris. Super covers. You da man.
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