The Paris Review Interviews: vol. 3

Introduction by Margaret Atwood // Edited by Philip Gourevitch
The Paris Review / Picador

• A PRINT's Regional Design Annual Selection

So I held out as long as I could from using red. I wanted to change it up and tried different background color versions. One using a purple so deep that it almost looks like black and one with a bright magenta. But good old fire engine red was what they wanted. I did try jazzing it up a little by using metallic silver and a greenish yellow and spot gloss on the large quotation marks.